Netflix/Film posters


Notable works include film Posters and series campaigns for Monica, O My Darling, Class, Guns & Gulaabs, Rana Naidu, and others — each demanding a distinct tone, aesthetic, and narrative approach. Whether it was building buzz for a crime thriller or capturing the essence of a dark comedy, my focus remained on creating visual stories that resonate.

This page showcases a selection of my contributions to Netflix’s vibrant and ever-evolving content universe.

This page showcases a selection of my contributions to Netflix’s vibrant and ever-evolving content universe.

Class Webseries

Step 1: Created Sketch & Concept of poster to lock the poses of character and placement according to storyline prominence.


Step 2: Locked the final positions of character and placement according to storyline prominence, post photoshoot. (Different dimensions created later)
Step 3: Final Placement of poster image and fine tuning

Final Key Visual


2.Monica O My Darling

The brief was to craft a compelling out-of-home (OOH) teaser cluster in one of the city’s most high-traffic locations. Our goal: to create a bold and unforgettable visual teaser for a murder mystery film that would intrigue viewers at a glance.

To elevate the intrigue and drama, we focused on a unique storytelling approach inspired by the film’s plot—where every character points fingers at someone else. This “whodunit” tension became the heart of our concept. We designed the campaign to showcase each character dramatically accusing another, sparking curiosity and engaging passersby in the mystery.

The result is a cohesive, eye-catching OOH campaign that teases the plot, introduces the ensemble cast, and draws the audience into the question: “Sabse Kamina Kaun?”

Final OOH in Bandra

Later this Print Ad was done for same, showcasing the main three characters and how they are portraying as the suspects themselves.


3.Rana Naidu

This creative print campaign for Rana Naidu explores the complex and fractured relationship between a father and son.

The idea was to visually contrast their public persona vs private reality through a two-sided print ad.
On one side, they appear warm and united—”Like Father, Like Son.” Flip it, and the same line takes on a darker meaning: both characters secretly holding guns behind each other’s back, revealing their true dynamic as sworn enemies.

A simple yet impactful concept that plays on duality and perception—designed to intrigue and pull viewers deeper into the series.

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